viewed from above

The pictures were placed, forming a field, that could be regarded by improvisational field-glasses. This implies movement and decision, this implies determination of the position, of the perspective, of the picture details as well as the point of view. A kind of score. It is up to the observer, to deal with it. The pictures, placed on the floor, result from the way they are made, like a piece cut out of my studio.

Tuschen, Bremen, 1988

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